They mourn, but smile at length; and, smiling, mourn : The hull drives on, though mast and sail be torn; The day drags through though storms keep out the sun; Even as a broken mirror, which the glass In every fragment multiplies, and makes The same, and still the more, the more it breaks; And bloodless, with its sleepless sorrow aches, Showing no visible sign, for such things are untold. The apostrophe to Buonaparte is touching and true, and the recollection that the poet and the hero have since abided the common lot of mortality adds to the impression which the verses must necessarily make upon every reader: There sunk the greatest, nor the worst, of men, Whose spirit, antithetically mixt, One moment of the mightiest, and again On little objects with like firmness fixt, She trembles at thee still, and thy wild name To the astounded kingdoms all inert, Who deemed thee for a time whate'er thou didst assert. Oh, more or less than man-in high or low, Battling with nations, flying from the field; However deeply in men's spirits skilled, Look through thine own, nor curb the lust of war, Which, be it wisdom, coldness, or deep pride, Is gall and wormwood to an enemy. When the whole host of hatred stood hard by, When Fortune fled her spoiled and favorite child, The following stanzas might have been applied perhaps as forcibly to Lord Byron as to the dethroned emperor: But quiet to quick bosoms is a hell, And there hath been thy bane; there is a fire This makes the madmen who have made men mad By their contagion; conquerors and kings, Founders of sects and systems, to whom add Sophists, bards, statesmen, all unquiet things Are theirs! One breast laid open were a school Their breath is agitation, and their life A storm whereon they ride, to sink at last, Even as a flame unfed, which runs to waste At length the pilgrim tears himself from these gloomy subjects, and turns to the more delightful-and, in spite of his sternness, we believe more congenial-subject of the beauties of nature. The scenery of the Rhine awakes all the feelings which in a heart such as his must start, like the notes from a lyre under the sweepings of a master-hand, at the spell of such an assemblage of the beautiful and sublime-such A blending of all beauties; streams and dells, Fruit, foliage, crag, wood, cornfield, mountain, vine, From grey but leafy walls, where Ruin greenly dwells. Of all the poets which England-perhaps which the whole worldhas produced, Lord Byron most excels in the power of describing, in a few expressions of intense force, the picturesque and prominent features of local scenes. His lines are like sketches from the hand of a painter, who has at once feeling and skill enough to embody, in a few hasty strokes, an idea of the real picturesque, as true, and far more beautiful, than the most minute and labored transcript of one in whom less of the fire of true genius dwells. A whole volume, describing the scenery of the Rhine, could contain no more than lies in the lines last quoted. An ingot of gold may be beaten into a surface of almost any extent; but leaf-gold is not, therefore, more valuable than the solid metal. The pilgrim wanders along the shores of this beautiful river, and devotes some of his verses, as he journeys, to the grey ruins which crown its rocky banks, and to the feudal barons who once inhabited them, and whose wars have often discolored the swift waves, Soon afterwards there occurs a passage which has always seemed to us highly de lightful, as well for its own beauty as for the intimation it gives us that the gloomy wanderer was not wholly without consolation ;-a notion which he did not fail to impress upon some of those people in England, who thought he was entirely miserable, and who, he believed, wished him to remain so: Nor was all love shut from him, though his days On such as smile upon us; the heart must For there was soft remembrance, and sweet trust And he had learned to love-I know not why, Even in its earliest nurture; what subdued, But thus it was; and though in solitude And there was one soft breast, as hath been said, Still undivided, and cemented more By peril, dreaded most in female eyes; But this was firm, and from a foreign shore Well to that heart might his these absent greetings pour! The tenderness of the epistle is exquisite : The castled crag of Drachenfels Frowns o'er the wide and winding Rhine, Whose breast of waters broadly swells And hills all rich with blossomed trees, And fields which promise corn and wine, Whose far white walls along them shine, And peasant girls, with deep blue eyes, Look o'er this vale of vintage-bowers; I send the lilies given to me; Though, long before thy hand they touch, Because they yet may meet thine eye, The river nobly foams and flows, The charm of this enchanted ground, Still sweeten more these banks of Rhine! After a short tribute to the memory of the young and gallant General Marceau, who fell at Altenkirchen, and a notice of the singular and pic |