turesque ruin of Ehrenbreitstein, the wanderer bids adieu to the Rhine in two stanzas full as vivid and infinitely more beautiful than could be achieved by the highest powers of painting: Adieu to thee again! a vain adieu! There can be no farewell to scene like thine; And, if reluctantly the eyes resign Their cherished gaze upon thee, lovely Rhine! The brilliant, fair, and soft-the glories of old days. The negligently grand, the fruitful bloom Of coming ripeness, the white city's sheen,' The forest's growth, and Gothic walls between, Whose fertile bounties here extend to all, Still springing o'er thy banks, though empires near them fall. Childe Harold then wanders to Switzerland, where the solitude of the Alps renews in him his disgust of mankind. • Then comes his fit again.' But we will pass over this, and give his character of Rousseau, in which he has aptly painted that singular compound of vice, freaks, madness, and vulgarity: Here the self-torturing sophist, wild Rousseau, The apostle of affliction, he who threw Enchantment over passion, and from woe Wrung overwhelming eloquence, first drew The breath which made him wretched; yet he knew How to make madness beautiful, and cast O'er erring deeds and thoughts a heavenly hue The eyes, which o'er them shed tears feelingly and fast. His love was passion's essence—as a tree Thus, and enamoured, were in him the same. In him existence, and o'erflowing teems Along his burning page, distempered though it seems. This breathed itself to life in Júlie, this Invested her with all that's wild and sweet; Which every morn his fevered lip would greet, His life was one long war with self-sought foes, 'Gainst whom he raged with fury strange and blind. Since cause might be which skill could never find; But he was frenzied, by disease or woe, To that worst pitch of all, which wears a reasoning show. The poet then describes a night scene on the Lake of Geneva, which is not the least happy of his efforts. The skill with which the closing in of the night is told, with an effect so tranquil and lulling, is heightened by the fierce delight which the vigorous description of the subsequent storm occasions : It is the hush of night, and all between Thy margin and the mountains, dusk, yet clear, Save darkened Jura, whose capt heights appear Precipitously steep; and, drawing near, Or chirps the grashopper one good-night carol more. * Ye stars! which are the poetry of heaven! If in your bright leaves we would read the fate Of men and empires-'tis to be forgiven, That, in our aspirations to be great, Our destinies o'erleap their mortal state, And claim a kindred with you; for ye are A beauty and a mystery, and create In us such love and reverence from afar, That fortune, fame, power, life, have named themselves a star. All heaven and earth are still-though not in sleep, But breathless, as we grow when feeling most; And silent, as we stand in thoughts too deep: All heaven and earth are still: From the high host All is coucentred in a life intense, Where not a beam, nor air, nor leaf, is lost, But hath a part of being, and a sense Of that which is of all Creator and defence. Then stirs the feeling infinite, so felt In solitude where we are least alone; A truth which through our being then doth melt, The soul and source of music, which makes known Eternal harmony, and sheds a charm, Like to the fabled Cytherea's zone, Binding all things with beauty;-'twould disarm The spectre Death, had he substantial power to harın. The sky is changed!-and such a change! Oh night, From peak to peak, the rattling crags among, But every mountain now hath found a tongue, And now again 'tis black-and now the glee Now, where the quick Rhone thus hath cleft his way, That, in such gaps as desolation worked, There the hot shaft should blast whatever therein lurked. Sky, mountains, river, winds, lake, lightnings! ye! Of what in me is sleepless—if I rest. But where of ye, oh tempests! is the goal? Or do ye find, at length, like eagles, some high nest? The apostrophe to Clarens, the scene of Rousseau's romance, which has been far too highly praised, is very beautiful; but the beauty is that which is imparted by the poet, whose mind transformed the dross of the maudlin sensualist Into something rich and strange.' Clarens! sweet Clarens, birth-place of deep Love! Thine air is the young breath of passionate thought; The permanent crags, tell here of Love, who sought Which stir and sting the soul with hope that woos, then mocks. His eye is sparkling, and his breath hath blown- Passes the strength of storms in their most desolate hour. Lord Byron could afford to compliment Rousseau, but we think he did so without the exercise of his usual good taste. It is for smaller people to admire an author who had only just genius enough to add a dazzling eccentricity to very impudent quackery. The poet then alludes to Gibbon and Voltaire, who both lived in the neighborhood of the Lake of Lausanne: their characters are given with an accuracy and strength which belong only to such men as Lord Byron : Lausanne! and Ferney! ye have been the abodes Of names which unto you bequeathed a name; They were gigantic minds, and their steep aim Thoughts which should call down thunder, and the flame On man and man's research could deign do more than smile. The one was fire and fickleness-a child Most mutable in wishes, but, in mind, A wit as various-gay, grave, sage, or wild Historian, bard, philosopher, combined; 1 |